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Poker for Dummies

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Chris Moneymaker, an appropriately named champion from the World Series of Poker tournament, offers his insights on the finer points of the popular card game in this instructional video. Poker for Dummies first teaches the basics on the game and its most popular variants (including Texas Hold ‘Em) and then offers solid advice on strategy, as Moneymaker explains how to evaluate your opponents, the best ways to bet, how to make bluffing work for you, and much more. The video also comes with a chart that ranks the status of various hands and a glossary of common poker slang. ~ Mark Deming, Rovi

Poker

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A smoke-filled room. The clink of chips breaking the silence of furious concentration. The occasional muttering of "check," "raise," and "fold," as staggering amounts are wagered on a simple hand of five cards. In this new paperback edition, acclaimed writer A. Alvarez narrates the history of poker — its most amazing stories, unforgettable players, and incredible hands. From the first great Las Vegas poker marathon, in which Nick the Greek played Johnny Moss for five months straight, to the more recent World Series of Poker, Alvarez captures a subculture rich with legend. His lively text is combined with a colorful array of poker-inspired art, advertisements, movie stills, and photos to create an entertaining ode to the pastime that is not so much a game of cards as a way of life.

Play Winning Poker In No Time

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Poker is hotter than ever and it’s a good bet these days that if you’re flipping through the TV channels, you’ll see a poker game being played, by amateurs, professional and even celebrities. If you’re looking to try your hand at America’s favorite card game then Play Winning Poker In No Time is the perfect beginner’s guide to teach you all the fundamentals to confidently "ante up" in a casual game with friends, at a live action casino table or even online at any one of the popular Internet poker sites. With Play Winning Poker In No Time, you’ll learn about: Texas Hold ‘em Starting Hand Tactics Basic Seven Card Stud Strategy Common Poker Rules Internet Poker & Online Poker Sites Poker Tournaments Including the World Series of Poker Casino Poker Room Etiquette When to Bluff vs. When to Bet Spotting Poker "Tells" Poker Math Including How To Calculate Odds & Probabilities Betting Strategies to Maximize Pots The easy-to-understand explanations and illustrations won’t bog you down in complex "what if" scenarios or confusing jargon. You’ll simply obtain the basic knowledge needed to successfully play poker and win money. A unique, tear-out "cheat sheet" card is chock full of valuable poker information including a visual guide to poker hand rankings or "what beats what," a color-coded starting hand chart showing which 2-card Hold ‘em starting hands to play, and an odds chart showing the percent chance of improving your Hold ‘em hand as new cards are dealt. With Play Winning Poker In No Time, you will master the basics, win the game and take home the cash.

Dummies – Poker for Dummies

$9.99

Chris Moneymaker, an appropriately named champion from the World Series of Poker tournament, offers his insights on the finer points of the popular card game in this instructional video. Poker for Dummies first teaches the basics on the game and its most popular variants (including Texas Hold ‘Em) and then offers solid advice on strategy, as Moneymaker explains how to evaluate your opponents, the best ways to bet, how to make bluffing work for you, and much more. The video also comes with a chart that ranks the status of various hands and a glossary of common poker slang. ~ Mark Deming, Rovi

POKER HANDS! Black T-Shirt

$25

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Hands

$13.98

A good year on from catching ears and sparking potentially damaging levels of next-big-thing hype with her first single, “Stuck on Repeat” — a sleek, buzzy, self-fulfilling prophecy of “metaphor pop” with obvious debts to Kylie Minogue and Giorgio Moroder, and a writing/production assist from Hot Chip’s Joe Goddard — Little Boots (aka U.K. popstress Victoria Hesketh) finally showed her Hands. When it arrived, her full-length debut amply justified the hype, even while slightly disappointing some of her faithful. It’s true that only a handful of Hands’ cuts can stack up against the stunning “Stuck” in terms of sonic distinctiveness and sheer hooky inevitability, and realistically, despite some clear mainstream potential, it’s unlikely to achieve the sort of massive crossover success that some may have envisioned — certainly not in America, where the album’s street date was pushed back considerably beyond its June 2009 U.K. release. Frankly, Little Boots isn’t doing anything especially musically innovative — as she well knows — and Hands fails to add any buzz-stoking specifics or publicity hooks to her persona beyond the already established basics: her savvy pop-positive hipster cred and playfully retro videogenic appeal, neither of which give her a leg up on the more quirkily personable likes of Robyn, Lily Allen, or Lady Gaga. But that’s perfectly fine, because what Boots and her highly pedigreed collaborators have accomplished here is nevertheless a surprisingly rare, deceptively difficult achievement: a practically flawless and entirely enjoyable album of pure electronic pop: “pure” in the sense that, apart from the tacked-on (and unlisted) solo piano title track, there are no sounds on this record other than synthesizers (including synthesized drums) and vocals. Also in that, while the synths are often distorted, filtered, and otherwise electronically muddled, Boots’ voice is, to a large extent, tonally pure and generally devoid of specific inflections, coming across not as blank or chilly so much as just slightly anonymous (in contrast to the undeniably distinctive pipes of her oft-compared compatriot, La Roux’s Elly Jackson.)Although the album, in typical 21st century pop fashion, features a plethora of producers — including Goddard, chart champion (and Gaga accomplice) RedOne, the increasingly omnipresent Greg Kurstin (Allen, Minogue), and Bertine Zetlitz collaborator Fred Ball — and a corresponding variety of musical moods — the brash and buzzy strut of “New in Town,” the decidedly Hot Chip-y clank’n'chug of “Meddle,” the darkly glossy trip-pop of “Hearts Collide” — they seem to have condensed on a consistent, elegantly simple synth pop vibe that sets up a sonically unified, satisfyingly streamlined listen. The directness and consistency of the album’s production, vocals, and stylistic approach leave a great deal of the focus on the songs themselves, which is good, because songs are arguably Hands greatest asset: a solid batch wit

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Hands On

$17.98

Nearly 30 years and 15 albums deep into one of contemporary jazz’s most consistently melodic and funky careers, Bobby Lyle continues to take a Hands On approach to creating a perfect balance of elegance and groove. On his Heads Up debut, the versatile pianist — who has been musical director for Bette Midler, Al Jarreau, and Anita Baker, et al., between solo projects — is intent on grabbing the listener right away with three jamming and danceable, synth brass-flavored tracks that also lightly showcase his inventive and playful sense of improvisation. He sandwiches a gleeful, bouncy version of the familiar disco hit “Best of My Love” with the seductive “Passion Drive” and the title cut, on which Lyle floats a light-on-its-feet melody over thoroughly modern crunchy, thumping beats. Amidst this rhythmic overdrive are a handful of cuts that perfectly capture Lyle’s trademark romantic vibe: the balmy, tropically tinged “Poinciana,” the reflective closer “Beth” (which showcases his sweet ivory magic at its most poignant), and “Lost in Love,” an irresistible ballad written and performed by Lyle and the always captivating Peabo Bryson. Longtime Lyle fans will also enjoy the heavy mix of old-school synth and acoustic piano on “Return of the Genie,” which recalls the cool vibe of his debut album, The Genie. It’s a perfect way to chart his growth as an artist over the years and to show that the charm was there from the beginning. ~ Jonathan Widran, RoviPerformers: John Adams – Bass; Keith Adkins – Trombone; Keith Banks – Drums; Peabo Bryson – Vocals; Johny Calderon – Guitar; Wayne Delano – Saxophone; Jorge Ginorio – Percussion; Larry Kimpel – Bass; Bobby Lyle – Keyboards, Piano; Derrick McCampbell – Vocals; Todd Parsnow – Guitar;